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Hannibal
Rising (2007)
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Director:
Peter Webber |
COUNTRY
France/UK/USA |
GENRE
Thriller |
NORWEGIAN
TITLE
Hannibal
Rising |
RUNNING
TIME
130
minutes |
|
Producer:
Tarak Ben Ammar
Dino De Laurentiis
Martha De Laurentiis |
Screenwriter
(based on his novel):
Thomas Harris |
Review
One
could expect the bad direction and bad acting, but the saddest fact about
the completely unnecessary Hannibal Rising is the poor script and
story by Thomas Harris. I won't criticize him for
selling out any more than I will other writers, but
there is little doubt that this story is not representative for Harris'
previous books about Hannibal Lecter. The combination of Dino De
Laurentiis' greed and the uninspired Harris is not the best of foundations for
a presentation of Hannibal's background. Not only
does stories which aim to unveil 'the truth behind' more often than not
disappoint due to the fact that they remove the ambiguity and enigma
which
films like The Silence of the Lambs or
Hannibal greatly profited from,
but such stories also become increasingly more annoying and less interesting
when the film in which they are found cannot link the character
presented to the character we've come to know. There's little or nothing
(except some plagiarized mannerisms) in Webber's film or Ulliel's
performance to justify Hannibal Rising as a precursor for
Anthony Hopkins' masterful Hannibal Lecter. Ulliel simply hasn't got the
required depth, and without much help from Harris' script, his Lecter is
flat and unengaging.
In
addition to all the mentioned problems (which could be expected), Hannibal
Rising is also an item of bad craftsmanship. Peter Webber's direction
is muddy and lacks style. He shoots action sequences like a mediocre
horror filmmaker, and his ostensibly 'classy' scenes look like scenes
out of The Bold and the Beautiful. Add to that a couple of
downright horrible performances from Gong Li and Rhys Ifans, who both
spoil every line they have. Indeed, Harris' dialogue is lacklustre, but
one still should expect actors to be able to speak and act as
approximate human beings.
Fortunately,
the status of Hannibal Lecter is too strong to be threatened by an
insignificant film like Hannibal Rising. And if nothing else,
this film should contribute to giving Lecter a rest. After all, Anthony
Hopkins' three performances in the role of Hannibal suffice.
Surely, this film offers nothing of interest as to his psychological
profile, despite its perpetual efforts.
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