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Hawaii,
Oslo (2004)
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Director:
Erik Poppe |
COUNTRY
Norway/Denmark/Sweden |
GENRE
Drama |
INTERNATIONAL
TITLE
Hawaii, Oslo |
RUNNING
TIME
125
minutes |
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Producer:
Finn Gjerdrum |
Screenwriter:
Harald
Rosenløw-Eeg |
Review
For
a long time, the Norwegian film business has been reluctant or unable to make
movies that are emotionally challenging. Most of the dramatic Norwegian
successes of the past ten years have been poignant social satires viewed
from a distance (Budbringeren,
Den brysomme
mannen), but with Hawaii, Oslo, director Erik
Poppe combines courage and skill and makes the best Norwegian film in
years. With an ensemble cast and quiltwork storytelling, Poppe's film is
in the vein of work from the likes of P. T. Anderson or Todd
Solondz. It is a film made with artistic and technical flair, but also
with an absolutely delicate sense of visual. I have rarely seen Oslo
look more vibrantly beautiful than in this movie. What a treat this must
be for Lillebjørn Nilsen.
The
acting from the ensemble cast is brilliant. Stig Henrik Hoff nearly
repeats his role from Den
som frykter ulven, and does it marvellously. Trond Espen
Seim is magnetic in the enigmatic lead, and there are strong
performances from Jan Gunnar Røise, Petronella Barker and Axel Hennie.
I'm also glad that Norwegian filmmakers finally have been able to cast
talented child performers, because the scenes involving Røsler and Hiis
are absolutely crucial for the film's dramatic effect. And this is
perhaps where Hawaii, Oslo is at its best; depicting layered,
authentic people in different kinds of interaction and situations where
the keyword is desperation and frustration. And screenwriter Harald
Rosenløw-Eeg's payoff is beautiful and harrowing at the same time. A
highly recommended film.
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