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High-Rise (2015)
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Director:
Ben Wheatley |
COUNTRY
United Kingdom |
GENRE
Drama |
NORWEGIAN TITLE
High-Rise |
RUNNING
TIME
119 minutes |
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Producer:
Jeremy Thomas |
Screenwriter (based on the novel by J.G. Ballard):
Amy Jump |
Review
Novelist J.G. Ballard's worlds were often visceral and dystopian in a
heavily symbolic, sometimes absurd manner (such as in
Crash). In
order to adapt these worlds successfully to the screen, one will
have to tread carefully with a clear direction and sense of purpose
in mind. If not, any film will easily slip into a pulp of abrasive
scenes and faltering logic – especially from a human and
interpersonal point of view. This is exactly the trap director Ben
Wheatley falls into with High-Rise, adapted from Ballard's
1975 novel of the same name. After a splendid intro, in which the
wonderful set design takes us effectively back to the cars,
hairstyles, clothes and interior designs of the 1970s, Wheatley
loses command over the interplay between story and message. Watching
the chaotic mess of scenes which ensue, where the characters act in
a zombie-like manner, the film's implicit social criticism – an
ostensible attack on consumerism and modern living combined with a
manifesto for communism (not socialism, cause that would be too
light) – doesn't reveal itself in a subtle manner which would have
made you feel clever about discovering it; it gnaws on you like a
rabid dog until you'd hate all dogs forever. High-Rise
ultimately shows no regard for its characters or viewers. And the
comedy, which is the last bit of virtue the film could have clung
on to, is humourless and acerbic.
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