|
|
The Hit (1984)
|
Director:
Stephen Frears |
COUNTRY
United
Kingdom |
Genre
Crime/Road |
NORWEGIAN
TITLE
Leiemorderen |
RUNNING
TIME
98
minutes |
|
Producers:
Jeremy Thomas |
Screenwriters:
Peter Prince |
Review
Terence Stamp is a force of
positivity as a former criminal who snitched on his compatriots and went
to start a new life in Spain before being tracked down ten years later
by a sinister hitman (John Hurt) and his budding assistant (wonderfully
played by Tim Roth in his first feature). This crime tale by Stephen
Frears (later of
Dangerous Liaisons, The Grifters and
High Fidelity)
takes us on a road trip across Spain and is a wonderful time capsule of
early 1980s Continental Europe – at the junction between provincial idiosyncracy and modern consumerism. Our protagonists are all caught up
in the mix between this and their own aimlessness. And although they
have various ways of coping with their insecurities and needs for
acceptance, they all are more or less prisoners of their own
shortcomings. All except Laura del Sol as the group's young Spanish hostage
Maggie, who slowly comes to realize she can manipulate the situation.
The Hit has both style and substance, even if it never reaches the
heights Frears may have hoped for. It's punctuated by pleasant flamenco music from Paco de Lucía and a title track by Eric Clapton and Roger Waters.
|
|