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Hodejegerne
(2011)
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Director:
Morten Tyldum |
COUNTRY
Norway/Germany |
GENRE
Crime/Action/Thriller |
INTERNATIONAL TITLE
Headhunters |
RUNNING
TIME
98
minutes |
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Producer:
Marianne Gray
Asle Vatn |
Screenwriter (based on the novel by Jo Nesbø):
Lars Gudmestad
Ulf Ryberg |
Review
Jo Nesbø's brilliantly inventive crime
universe is brought to the screen about as effectively as can be done in
the breathtaking action-thriller Hodejegerne (literally "The
Headhunters"). Set in and around Oslo, the film has a Norwegian soul,
but - as directed by Morten Tyldum - an international and timeless feel.
This is a classic, clever chase film in the vein of
The Fugitive,
only in Hodejegerne, our protagonist is far from a saintly
Harrison Ford; he is a highly flawed man with a Napoleon complex and a
far too high personal consumption, which he supports by stealing
expensive art. One of the best achievements of Hodejegerne, aside
from its tight and technically flawless command of the action sequences
and the ceaseless suspense, is how it sells protagonist Roger Brown
(Aksel Hennie) to us, and allows a complete dissection of him. Aksel
Hennie gives one of his best performances here; he has to lay himself on
the line in order to eventually win our trust and sympathy. And rarely
has any principal character earned just that more than Roger Brown.
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