Into the Wild (2007)

	Directed by: Sean Penn	COUNTRY USA GENRE Drama/Biopic NORWEGIAN TITLE Into the Wild RUNNING TIME 140 minutes
	Produced by: Art Linson Sean Penn William Pohlad
	Written by (based on the book by Jon Krakauer): Sean Penn

Cast includes:
CHARACTER	ACTOR/ACTRESS	RATING
Christopher McCandless	Emile Hirsch	½
Billie McCandless	Marcia Gay Harden	½
Walt McCandless	William Hurt
Carine McCandless	Jena Malone
Rainey	Brian Dierker
Jan Burres	Catherine Keener
Wayne Westerberg	Vince Vaughn
Tracy	Kristen Stewart
Ron Franz	Hal Holbrook	½

Review

The story of Christopher McCandless was made known to the American public when author Jon Krakauer wrote a book about the young wanderer in 1996. A fresh college graduate from a respected middle-class family, McCandless suddenly donated all his life savings to charity and left his family directly after graduation in order to travel across the country with no possessions or money. His ultimate goal was to live off the land in the Alaskan wilderness – completely separated from a society that he felt was plagued by materialism and falseness.

Into the Wild tells the story of a unique human being. Not primarily because of his idealism and fearlessness (which have been and will become an inspiration for many, arguably including director Sean Penn), but rather because of the duality in most of his actions and choices. The strength of Penn's film is that it can be seen in several lights. On an explicit level, the film is a social criticism, with McCandless as the voice, and Penn following up the young idealist's sentiment with montages of the less meritable aspects of capitalism. As such, Into the Wild is first and foremost a strong and enterprising character portrait – propelled forward by an industrious Emile Hirsch showing the world that he may be the next Leonardo DiCaprio. Still, Into the Wild is equally interesting on an implicit level – a level Penn doesn't outright front, but neither conceals. This level evokes questions like whether it is the selfishness and coldness of society that created a person like Chris, or whether the indifference and arrogance he exhibits has helped form the society we live in. That is, does Chris' arguably egotistical drive and lust for personal achievement really diverge in principle from that of his father?

The weakness of Into the Wild involves Penn's fascination with the poetic aspect of McCandless' persona and actions. Penn has always had a talent for balancing his stories, and despite some close calls, he's able to maintain a fine equilibrium throughout Into the Wild as well. Even if he goes to some lengths in romanticising McCandless, he does it more for the gregarious man of the early travels than he does for the man that went in over his head towards the end of his adventures.

The interpersonal drama in Into the Wild includes moments of wonderful poignancy. The most noteworthy involves Hal Holbrook and Emile Hirsch just before the latter travels to Alaska. There is an abrupt finality to this scene that will be painfully recognisable to all. There are also strong scenes with William Hurt (towards the end), Catherine Keener, and the talented Kristen Stewart. Still, it is Hirsch's performance that stands out. He packs a lot into the role of McCandless, and he embodies the difficult closing part remarkably. Into the Wild is a remarkable and beautiful film – not because it is flawless, which it isn't, but because of the vast range of issues it discusses.