The
Invisible Man (2020)
|
Directed
by:
Leigh Whannell |
COUNTRY
Australia/USA |
GENRE
Science Fiction/Horror |
NORWEGIAN TITLE
The
Invisible Man |
RUNNING
TIME
124 minutes |
|
Produced
by:
Jason Blum
Kylie du Fresne |
Written by
(based on the novel by H. G. Wells):
Leigh Whannell |
Review
A remarkably strong lead performance by
Elisabeth Moss spearheads this otherwise far too formulaic take on
H. G. Wells' famous 1897 novel. Moss is in a violent and controlling
relationship with a wealthy and brilliant inventor in the field of
optics (Oliver Jackson-Cohen). Having carefully planned to escape
his controlling grip, she finally leaves, and then learns that her
husband has committed suicide. While staying with a friend to
recuperate, she soon starts experiencing inexplicable apparitions in
and around the house.
The film's opening segment is a
hair-raising achievement in movie making and will probably make a
deep impression on anyone who has ever lived in or around an abusive
relationship. Moss' acting here is terrifyingly intense, so much so
that you soon wish this segment had belonged to another
movie. Because once The Invisible Man moves into horror
territory, director Leigh Whannell (the penner of the
Saw
and
Insidious franchises) starts raiding the cliché
cabinet and the film goes from genuinely stirring to mostly jump
scares and predictable plot twists. Still it retains a certain level
of interest thanks to Ms. Moss' continued dedication and a rather
elegant ending (save for a very obvious case of Chekov's gun).
|