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Jagten (2012)
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Director:
Thomas
Vinterberg |
INTERNATIONAL TITLE
The
Hunt |
COUNTRY
Denmark |
GENRE
Drama |
NORWEGIAN TITLE
Jakten |
RUNNING
TIME
115 minutes |
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Producer:
Morten Kaufmann
Sisse Graum Jørgensen
Thomas Vinterberg |
Screenwriter:
Tobias Lindholm
Thomas Vinterberg |
Review
Dogme
95 filmmaker Thomas Vinterberg is the man behind this hard-hitting
film about an important theme, namely false accusations and mass
hysteria – in this case concerning child molestation. Vinterberg,
who was one of the founding fathers of the Dogme 95 movement, has
this time put aside the rigid allegiance to the Dogme 95 rules which
we saw in his breakout film
Festen, and as such, Jagten
is more traditional stylistically, even if it still contains dogme
elements. To put it another way, Jagten is far more assured
and balanced formally. The result is a more efficient film; one that
never threatens to become a caricature of itself. Mads Mikkelsen is
at the centre of everyone's attention, and his strong performance
carries the film forward. His work is make or break for the film's
effect. The most interesting, or perhaps wily, aspect of Jagten
is not necessarily the portrait of mass hysteria and
denunciation in a local community itself, but rather how the
Mikkelsen character's disbelief and stubbornness – ie. his inability
to fully grasp what is about to happen around him, and his
(rightful) unwillingness to take responsibility for it – fuels the
fire and intensifies the situation. In many ways, Jagten is a
recipe for all the wrong ways to act in a situation like this, for
parties on both sides of the table, and it is all painfully relevant
when taking into account that there are several examples of similar
situations from real life.
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