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The King's Speech (2010)
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Director:
Tom Hooper |
COUNTRY
UK/Australia/USA |
GENRE
Drama/Comedy |
NORWEGIAN TITLE
Kongens tale |
RUNNING
TIME
118
minutes |
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Producer:
Iain Channing
Emilie Sherman
Gareth Unwin |
Screenwriter:
David Seidler |
Review
This account of the life and times of
King George VI of the United Kingdom, centered around his stammer, is
directed with shameless sentimentality by Tom Hooper (The Damned
United). But so long as it is done with this kind of candidness and
art of narration, you can get away with far more mush than this. More than
anything, The King's Speech is a brilliant character study, with
Colin Firth's masterful work as King George VI at the centre of events.
He conveys the king's combination of vulnerability and courage in an
immensely sympathetic performance. Add to that the technical achievement
with the speech part of the role, and you have a worthy Oscar winner.
Alongside Firth, Geoffrey Rush gives a
fine performance as King George's speech therapist and friend, and it is
in this budding friendship much of the film's warmth and humour is
based. It is a lenient and uncritical buddy portrayal, but through
backdropping this against the most important historical events during
the film's time-span, notably the death of King George V, Edward's
abdication and the outbreak of WWII, Hooper finds a suitable balance
between the amiable and the momentous. And this is the real genius of
The King's Speech; the way George's personal struggle is being
put into context and given consequence. As a result, the film is able to
retain a high level of suspense as George and Lionel Logue team up in
the king's private radio studio to broadcast his first motivational
wartime speech, concluding an inspirational story, filled with humanity
and insight, about an in some ways ordinary and in other ways
extraordinary man.
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