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The
Lighthouse (2019)
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Director:
Robert Eggers |
COUNTRY
USA/Canada |
GENRE
Psychological thriller/Horror |
NORWEGIAN TITLE
The
Lighthouse |
RUNNING
TIME
109 minutes |
RELEASED BY
Focus/Universal |
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Producer:
Rodrigo Teixeira
Jay Van Hoy
Robert Eggers
Lourenco Sant' Anna
Youree Henley |
Screenwriter:
Robert Eggers
Max Eggers |
Review
Gloom down, leave your modern,
insignificant worries behind and join Willem Dafoe and Robert
Pattinson for this harrowing time capsule of a movie created by the
promising Canadian filmmaker Robert Eggers. Not only does The
Lighthouse transport you back to the 19th century in remarkably
impressive fashion, in everything from the authentic-sounding jargon
to the mindset of these characters and the way they are realized.
But it is also a time travel filmatically speaking; you feel like
you're watching a work by German Expressionists circa 1920. When
Pattinson walks towards the ocean for the first time after arriving
at the lighthouse, the homage to films such as
Das Cabinet des Dr.
Caligari and
Nosferatu is obvious and
tasteful. (Come to think of it, Pattinson also resembles Conrad
Veidt, and Dafoe is like Emil Jannings from
Der
Letzte Mann.)
In the history of horror movies, we
usually must expect quite a time span between each time a filmmaker
comes along who can create pure, timeless horror based on imagery
and thematics rather than jump-scares and conventions. The
Lighthouse is an example of the former, and for that I salute it
and Mr. Eggers. The film is so evocative that it sucks you into its
peculiar world and doesn't let go until you've been battered like
that gull. And in the grip of two brilliant thespians throwing
themselves into this material, you feel alternately impressed,
disgusted and unnerved. Classy black-and-white cinematography by
Jarin Blaschke and an amazingly powerful musical score by Mark
Korven put the icing on this almost inedible but constantly
enthralling cake.
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