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Lions
for Lambs (2007)     
Director:
Robert Redford |
COUNTRY
USA |
GENRE
Drama/War |
NORWEGIAN
TITLE
Løver for
lam |
RUNNING
TIME
88
minutes |
|
Producer:
Matthew Michael Carnahan
Tracy Falco
Andrew Hauptman
Robert Redford |
Screenwriter:
Matthew
Michael Carnahan |
Review
The
approach by Robert Redford is interesting in this political and largely
unnarrative film, as he shoots almost an entire film using three
intercuts takes from three sets: (1) a conversation between a
no-nonsense Republican senator (Cruise) and a once liberal reporter
(Streep), (2) a conversation between a political science professor
(Redford) and a talented student he feels is wasting his potential
(Garfield), and (3) two young, idealistic American soldiers (Peña and
Luke) trying to cope with a hopeless situation in a failed military
action in Afghanistan. These segments are naturally connected, and fairly
smoothly so, as Redford presents some thoughts around the complex and
arguably unsatisfactory American foreign policy in general, and state of
affairs in Iraq/Afghanistan in particular.
What
is good about Lions for Lambs is that Redford brings the patient, deep discussion back to Hollywood. The film is inherently an
asker rather than an answerer of questions, and this is effective on
some levels, but it works far better in the refreshing Redford/Garfield
relation than in the somewhat awkward (albeit profound) Streep/Cruise
relation. "This is pure propaganda" says Janine Roth about
Senator Irving's presentation. That is what many people will feel about Lions for Lambs
as well, even if it is a well-disguised type of propaganda. There is no doubt that
Redford as well as his film is leftist (by US standards), but to be
honest, the director does view things from more than one angle, and
doesn't claim to have the definite answer - fortunately and
unfortunately.
Lions
for Lambs is an engaging film that is delicately paced and that
portrays serious and important issues. It is a commendable document from
a filmmaker who through his entire career has wanted to break the mould
and to make a difference. Unfortunately, Lions for Lambs isn't
quite pungent enough to make that difference a lasting one - neither filmatically
nor as a political statement. Redford's professor Stephen Malley says
that he feels it's better to try and fail than to fail to try. This
film shows that Redford, at any rate, is a man of his word. Kudos,
though, to the effective untraditional rhythm of the ending.
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