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Lone Star (1996)
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Director:
John Sayles
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COUNTRY
USA |
Genre
Drama/Mystery |
NORWEGIAN TITLE
Lone
Star |
RUNNING
TIME
135 minutes |
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Producers:
R. Paul Miller
Maggie Renzi |
Screenwriters:
John Sayles |
Review
John Sayles, who made a name for himself as
one of the most important independent filmmakers in the business during
the 1980s and 90s, reached something of a commercial zenith with this
slow-paced, meticulous study of the clash of three cultures over a span
of four decades in a small Texas border-town. Structured as a
contemplative mystery film, Lone Star is rich on characters and
character relations, and Sayles utilises his familiar low-key dramatic
style to slowly unfold his story – a story that may be meandering at
times, but that never seizes to interest or make sense. It is Sayles'
understanding of social mechanisms and the human psyche which is Lone
Star's number one asset, and although the mystery as such may be
slight, the subject matters Sayles tackles on his way to his conclusion
are not; ranging from segregation, corruption and social conditions to
lost love and mid-life crises. Sayles seasons his film with some elegant
camerawork to let his narrative slide seamlessly in and out of
flashbacks – and with a handful of strong performances by an interesting
mixture of seasoned veterans and up-and-coming stars, including the late
Elisabeth Peña, a delightful Kris Kristofferson, and the ever-dependable
Sayles' favourite Chris Cooper.
Re-reviewed:
Copyright © 12.2.2015 Fredrik Gunerius Fevang
Original review: Copyright ©
28.3.1998
Fredrik Gunerius Fevang
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