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The Man
in the Moon (1991)     
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Director:
Robert
Mulligan |
COUNTRY
USA |
GENRE
Drama |
NORWEGIAN
TITLE
Det hendte en
sommer |
RUNNING
TIME
99
minutes |
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Producer:
Mark Rydell |
Screenwriter:
Jenny
Wingfield |
Review
Every
once in a while, a film comes along with so much raw talent and youthful
emotion that it can knock you off your seat and stir up a well of
sensations. Many will claim that the James Dean films were such, and in
European cinema we have seen examples such as Truffaut's
Les Quatre
cents coups, Jan Sverak's Kolya,
Bo Widerberg's Lust och
fägring stor and Lukas Moodyson's Fucking
Åmål, to name a few. Remarkably, two such special films
were made in the USA in 1991. One was Mary Agnes Donoghue's Paradise,
the other was this unique piece from Robert Mulligan.
Mulligan
was known for getting sincere, intriguing performances from his actors.
Here, he has the privilege of working with a young and marvellously
instinctive Reese Witherspoon who sets the film alight with her
wonderfully expressive appearance and natural grace. Hers is one of the
best debut performances ever, and this functions as the foundation for
this honest and evocative, but thoroughly level-headed film. The
writing, by Jenny Wingfield, reveals a lot of insight about adolescence
in general and growing up in the 1950s USA in particular. This is
reflected in the performances too, such as Sam Waterston's strict but
loving father and Gail Strickland's diligent single mother.
Man
in the Moon is an inherently romantic film, but it doesn't dwell or
become bumptious. It is poetic, simple and delicate, appreciating the
bittersweet nature of life the way most of us know it. If you can resist
this film, chances are that you're more than a little bit callous.
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