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Murder on the Orient
Express (2017)
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Director:
Kenneth Branagh |
COUNTRY
United
States |
GENRE
Crime/Mystery |
NORWEGIAN TITLE
Mord pĺ Orientekspressen |
RUNNING
TIME
108 minutes |
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Producer:
Ridley Scott
Mark Gordon
Simon Kinberg
Kenneth Branagh
Judy Hofflund
Michael Schaefer |
Screenwriter (based on the novel by Agatha Christie):
Michael Green |
Review
Kenneth Branagh's remake of Agatha Christie's classic, which was
last given a theatrical release with a successful and critically
acclaimed 1974 version by Sidney Lumet, is a lavish spectacle with
great production values and a stellar cast. Branagh has also taken
it upon himself to embody Hercule Poirot, and he nails both the
look, the sound and the mannerisms of the famous detective. The
first part of the film is atmospheric and instigative, as we embark
upon this exciting journey together with a motley crew of
characters. And this is where it all starts floundering, because
Branagh grows too fond of his own character for the other characters
to really come to life. They remain two-dimensional and fleeting,
not helped by the uneven editing from a narrative point of view. The
result is that the denouement, which is supposed to be the pinnacle
of any Hercule Poirot story, feels scurried and academic. The film looks
great and has the outlines of a great, classic detective story, but
alas falls short at the most crucial moments.
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