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The Next Three Days
(2010)
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Director:
Paul Haggis |
COUNTRY
USA |
GENRE
Drama/Romance/Crime |
NORWEGIAN TITLE
The
Next Three Days |
RUNNING
TIME
122
minutes |
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Producer:
Michael Nozik
Olivier Delbosc
Paul Haggis
Marc Missonnier |
Screenwriter:
Paul Haggis
Fred Cavayé |
Review
The Next Three Days is the third
film helmed by writer-turned-director Paul Haggis, and his work here has
the same urgency, drive and insight into human endeavours which
characterized his first two entries,
Crash and
In the
Valley of Elah. Through clever use of narrative jumps,
flashbacks, and mood-setting scenes, it tells the story of a small
family whose life gets turned upside down when the mother (Elizabeth
Banks) is arrested and convicted for the murder of her employer, leaving
the father (Russell Crowe) and son alone mourning and yearning for the
woman of their lives.
The film is tactfully constructed as a mystery, and is constantly
intriguing in this respect, much due to Haggis' gently revealing
storytelling, but likewise due to Elizabeth Banks' enigmatic acting.
Still, the question whether the mother is guilty or not isn't the main
focus of The Next Three Days, because to our protagonist, the
father, played with conviction by a rejuvenated Russell Crowe, this is a
non-issue. He is well aware of the fact that his life is disintegrating
without his wife. As it turns out, the young son copes far better with
the loss of a mother than he does with losing his wife – to no big
surprise to the man himself. The film's both thematic and moral core
is John's determined struggle to reunite his family – by any means
necessary. The implicit ethical discussions around this are extremely
interesting, and Haggis handles them skilfully; letting the potential
controversy shine through without ever letting his characters down. The
effect is harrowing and – more remarkably – deeply romantic. Forget
about the light rom-com approach; The Next Three Days is probably
the most romantic film of the year.
Yet again, Paul Haggis has made a film which investigates the deepest
human emotions and the sturdiness of our interpersonal relations, and
yet again has he done so without foresaking the film's entertainment
value. Much in the vein of the comparable
The Fugitive,
The Next Three Days is constantly and purposefully moving without
feeling rushed or too plot-driven. It may be one of this year's big
sleeper hits.
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