Once Upon a Time in Hollywood (2019)

Cast includes:
CHARACTER	ACTOR/ACTRESS	RATING
Rick Dalton	Leonardo DiCaprio
Cliff Booth	Brad Pitt	½
Sharon Tate	Margot Robbie	½
Jay Sebring	Emile Hirsch
"Pussycat"	Margaret Qualley
James Stacy	Timothy Olyphant
Trudi Fraser	Julia Butters
"Tex"	Austin Butler
"Squeaky"	Dakota Fanning
George Spahn	Bruce Dern
Bruce Lee	Mike Moh
Wayne Maunder	Luke Perry
Steve McQueen	Damian Lewis
Marvin Schwarzs	Al Pacino
Mary Alice Schwarz	Brenda Vaccaro
Sam Wanamaker	Nicholas Hammond
Abigail Folger	Samantha Robinson
Roman Polanski	Rafal Zawierucha
Francesca Capucci	Lorena Izzo
Wojciech Frykowski	Costa Ronin
Charles Manson	Damon Herriman
"Gypsy"	Lena Dunham
"Katie"	Madisen Beaty
"Sadie"	Mikey Madison
"Clem"	James Landry Hébert
"Flower Child"	Maya Hawke
"Business" Bob Gilbert	Scoot McNairy
Randy Miller and narrator	Kurt Russell
Janet Miller	Zoë Bell
Sheriff Hacket	Michael Madsen
"Ugly Owl" Hoot	James Remar

Review

Quentin Tarantino's revenge-spree on historical wrongdoers continues, but his latest film Once Upon a Time in Hollywood isn't a banal revenge-movie; it's a tour-de-force in zeitgeist celebration and imaginative counterfactual (his)storytelling. Tarantino takes us back to late 1960s Hollywood in a more comprehensive and visually captivating way than has ever been done before in film, and he populates his story with recognizable but fresh Tarantinoesque characters: an about-to-be washed-out B-movie star (Leonardo DiCaprio), his no-nonsense stunt-double and buddy (Brad Pitt), and a record-breaking cast of real and made-up supporting characters whom Tarantino lets float in and out of focus in Altmanesque fashion. The diversity of them is one of the keys to why Once Upon a Time in Hollywood is such an exhaustive motion picture, one that attacks all your senses and facilities at once. The film has a lot to say about both current, past and timeless affairs, but it doesn't express itself as bombastically as some of Tarantino's more recent movies (The Hateful Eight, Inglourious Basterds), rather it adopts a more essayistic tone, mulling over its themes and innuendos with a sexy, seductive assuredness. This is Tarantino's most compelling piece since Pulp Fiction.