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Our Souls at Night (2017)
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Director:
Ritesh Batra |
COUNTRY
USA |
GENRE
Drama/Romance |
NORWEGIAN TITLE
Our
Souls at Night |
RUNNING
TIME
101 minutes |
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Producer:
Robert Redford
Erin Simms
Finola Dwyer |
Screenwriter (based on Kent Haruf's novel):
Scott Neustadter
Michael H. Weber |
Review
Veterans Robert Redford and Jane Fonda hook up for the fourth time
in their long and illustrious movie careers, more than fifty years
after they first played lovers onscreen in
The Chase. Since then, they
have gone from being representatives for a new generation of young,
beautiful and brainy Hollywood stars, to being among the few
Hollywood actors from their generation to really age gracefully. And
this is why Redford and Fonda are the perfect choice to lead a movie
about newfound love and sex for 70-somethings; they both look like
they have lived a normal, healthy life, but they are still very much
movie star material: Redford still has that boyish smile and Fonda
that twinkle in her eye (and a remarkably perky body).
Writing duo Scott Neustadter and Michael H. Weber adapted Kent
Haruf's novel of the same name, and although the script has its
contrivances (most notably in the segments concerning Fonda's
grandson who is coming to stay with her), it is mostly a dignified,
humorous and perceptive story which is told here, about how two
ageing widowers find each other and express their love in
uncharted territory. Redford and Fonda show their class
individually and, not least, in tandem. Their best little scene
together is one without words: when they're driving back from a trip
to Denver. That scene says a lot about both the characters of Louis
and Addie, and about two old Hollywood friends.
Our Souls at Night has become a pleasant little film, and it has
many similarities with Henry Fonda's swansong On Golden Pond
from 1981. That film garnered Henry an Oscar and Jane a nomination
(playing his daughter). Let's see how it turns out this time.
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