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Panic
Room (2002)
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Director:
David Fincher |
COUNTRY
USA |
GENRE
Thriller |
NORWEGIAN
TITLE
Panic
Room |
RUNNING
TIME
112
minutes |
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Producer:
Judy Hofflund
David Koepp
Gavin Polone
Cean Chaffin |
Screenwriter:
David Koepp |
Review
David Fincher's
follow-up to Fight Club
takes him back to more standard thriller territory in this
Home Alone
for grown-ups, entitled Panic Room. The film's title tells half
the plot: a newly divorced woman and her teenage daughter buy a huge New
York apartment which contains a panic room – a safe compartment in which
the owners can barricade themselves in case of a break-in. Not surprisingly, they
need the room on their first night in their new quarters, when a
diverse trio of criminals break and enter in search of alleged fortunes.
The premise is fine,
and the performances are remarkably consistent from all players
(Whitaker in particular). Fincher toys with the latest technology in
camera movement and combines this with a handful of old-fashioned
race-against-the-clock scenes, but he still struggles to generate more than a fair share of suspense. Why?
Well, our two female protagonists are
protected by the film's title, and the villains are too unprofessional and
plot bound to be able to impose a lasting eerie atmosphere. There are exceptions, most
involving the rawness (Yoakam) or the compassion (Whitaker) of the
performances. Fincher does well to explore the desperation and confusion
that goes on in the head of criminals – even with such different
backgrounds as these three have.
Towards the end,
Panic Room picks up, and the ending is satisfactory, albeit
predictable. The only trouble is, we end up caring more about Whitaker's
character than about the somewhat contrived Foster character, and there
is more heart in the moments between the talented Kristen Stewart and
the big character actor, than between mother and daughter.
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