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La Piel que Habito
(2011)
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Director:
Pedro
Almodóvar |
COUNTRY
Spain |
GENRE
Drama/Thriller |
INTERNATIONAL TITLE
The
Skin I Live In |
NORWEGIAN TITLE
Under
huden |
RUNNING
TIME
117
minutes |
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Producer:
Agustín Almodóvar
Pedro Almodóvar |
Screenwriter (based on the novel Tarantula by T. Jonquet):
Pedro
Almodóvar |
Review
Pedro Almodovar has long since established himself as one of the, if not
the, most consistently interesting European filmmaker, and unlike many
other master directors of his generation, he still makes films with
hunger and freshness.
He continues to explore the obscure sides of sexuality, dysfunctional
and unconventional human relations, and the many aspects of the human
body. La Piel que Habito, about a brilliant plastic surgeon who,
obsessed with the memory of his deceased wife, experiments on a woman he
keeps locked up in his house, is thus typical Almodovar territory. In
fact, it may well turn out to be among the most defining of
Almodovar's films, as he takes us on a roller-coaster ride in
narrative structuring in which his delicately intricate screenplay
(based on a book by late French novelist Thierry Jonquet) alternatingly
treats us to ostensible normality and complete anormality, both with
regards to social situations and to character psychology. The film combines a chilling
realism with a fantastical side, all the while drenched in Almodovar's
playfulness which gives the film a humorous, almost kitsch undertone.
In and of itself, the plot
is as complex as it is implausible, but Almodóvar's clever narrative
denouement and his ability to make atypical characters behaving
abnormally into deep, real people lifts the story far above face value
and lays the foundation for a highly interesting and multifaceted film.
Fine performances from the entire cast is the icing on this peculiar,
but quite tasty cake.
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