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Point
Break (1991)
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Director:
Kathryn
Bigelow |
COUNTRY
USA |
GENRE
Action/Crime |
NORWEGIAN
TITLE
Point Break |
RUNNING
TIME
122
minutes |
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Producer:
Peter Abrams
Robert L. Levy |
Screenwriter:
W. Peter Iliff |
Review
As
a genre movie, Point Break is a hybrid between the 80s action genre,
with industrious, fast-paced scenes and partly banal characterizations
on one side, and a visionary nod to the Tarantinoesque, relentlessly
violent and far more creative films of the early 90s. The film works
well in this mode, albeit not in a realistic framework. However, it's
through the portrait of surfing –– explicitly – and breaking free – implicitly
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that Point Break has its incessant thematic value. The
realization of the Bodhi character is crucial and very well executed.
Bigelow shows flair – she doesn't get tempted into letting her film revolve
around trivial, over-discussed themes (except perhaps the somewhat
superficial Reeves/Petty relation), but instead goes deep into the
psychology of Bodhi and the mist he surrounds himself with. The
philosophy involved is not revolutionary, but the film has a seductive
air of freedom, liberation and carefreeness to it that gives the overall
effect some distance to the basic plotline. It makes the finale
surprisingly effective, even if there's not too much suspense left. And
on the way there, the film is constant fun. Reeves looks great, has his moments, but falls flat in a handful of
dramatic scenes. Swayze is satisfactory enigmatic and scruffy, and Gary
Busey is fine as the counterweight – stealing most of the scenes he's
in. One of the best action-films of its time.
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