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Quislings
siste dager (2024)
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Directed
by:
Erik Poppe |
INTERNATIONAL TITLE
Quisling: The Final Days |
COUNTRY
Norway |
GENRE
Historical/Biographical drama |
RUNNING
TIME
146 minutes |
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Produced
by:
Finn Gjerdrum
Stein B. Kvae |
Written by:
Anna Bache-Wiig
Siv Rajendram Eliassen
Ravn Lanesskog |
Review
It probably was about time that
Norwegian cinema tackled this elephant in the room and made a biopic
on Vidkun Quisling, the man who appointed himself Minister President
and collaborated with the Nazis during the German occupation of
Norway between 1940 and 1945, and paid the ultimate price for his
actions when in October 1945 he became the last person to be
executed in Norway. The director is Erik Poppe, who has handled
Norwegian national traumas skilfully before, notably with
Utøya 22.
juli in 2018, and he manages to portray Quisling with
a fairly dignified level of balance, even if his dissection becomes
lingering at times. The running time most certainly could have been
trimmed a little; there are a few too many meetings behind closed
doors. And although there is a disruptive dissonance between
Eidsvold’s imitative rendition of Quisling’s intonation and demeanour
on the one side, and Danielsen Lie’s anachronistic delivery and
overly modern approach, their final scene together ultimately does
evoke some of the intended emotion and bond between their two
characters. With beautiful CGI recreations of 1940s Oslo which
elevate the overall impression.
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