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Romeo Is Bleeding (1994)
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Director:
Peter
Medak |
COUNTRY
USA |
GENRE
Drama/Crime |
NORWEGIAN TITLE
Romeo
Is Bleeding |
RUNNING TIME
106
minutes |
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Producer:
Hilary
Henkin
Paul Webster |
Screenwriter:
Hilary Henkin |
Review
I'm not quite sure to what extent the corny
extravagance of this semi-tarantinoesque neo-noir was a joke on the part of the
filmmakers or simply an unsuccessful attempt at clever and violent epochal
relevance. And seen in retrospect, I don't think it even matters that much. The
film catches Gary Oldman confidently riding his mid-90s wave to cult-stardom,
but he is not quite as vibrant or sexy here as he was in his best moments (True
Romance, Leon,
Immortal Beloved).
And although he is easily matched in the overacting-department by the
hilariously stylized villainesse Lena Olin (who is almost able to bring her wild
character in on the right side of ridicule), the film nevertheless misses the
mark. Because even though director Peter Medak may think he's given himself the
liberty to toy with conventions, style and our invested time and effort by
including his femme fatale character, he negates this by trying to make valid
dramatic points through the Annabella Sciorra and Juliette Lewis characters,
both of whose fine work and well-written characters are ultimately disregarded
by the film. There could have been potential in Hilary Henkin's story here, but
it's not treated with either the respect nor skill it deserves and requires.
Medak's direction is idealistic, but unfortunately not based on the best of
ideas.
Re-reviewed:
Copyright © 18.9.2016 Fredrik Gunerius Fevang
Original review:
Copyright © 21.11.1997
Fredrik Gunerius Fevang |
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