|
|
Schpaaa
(1998)
|
Director:
Erik Poppe |
COUNTRY
Norway |
GENRE
Drama/Action/Crime |
INTERNATIONAL
TITLE
Schpaa |
RUNNING
TIME
70
minutes |
|
Producer:
Finn Gjerdrum |
Screenwriter:
Erik Poppe |
Review
It's
hard to believe the subtlety and insight of Hawaii,
Oslo when viewing Erik Poppe's six years senior
debut-film. Like its successor, Schpaa is a film from the streets
of Oslo, peaking into the lives of some not so fortunate kids. The
film's motivation is painfully obvious as Poppe badly wants to give a
truthful, objective rendition of small-time, juvenile delinquents in
Norway. He adds some creative touches to cutting and soundtrack, at
times giving the film an MTV-feel that seems only awkward here. It's as
if Poppe is saying "Hey, look how cool and up-to-date this film
is". My question is, why then do people still talk like in the
least convincing Wam & Vennerød-movies?
Schpaa
is cursed with lacklustre (at its best) acting, from completely
untrained performers, constantly delivering awful dialogue from Poppe's
artificial and forced script. The lack of realism completely kills off a
film whose effectiveness turns on exactly that. What's left is a bunch of
multi-ethnic puppets running around in the badly photographed streets of
Oslo doing stunts that are too obviously performed in front of a camera. Schpaa
can't even make a simple, cute teenage romance even mildly effective. If you for some reason have slumped into
seeing this film, please sit through Hawaii,
Oslo to allow Erik Poppe the
chance to redeem himself.
|
|