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Shadow
of a Doubt (1943)
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Director:
Alfred
Hitchcock |
COUNTRY
USA |
GENRE
Thriller |
NORWEGIAN
TITLE
I tvilens
skygge |
RUNNING
TIME
108
minutes |
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Producer:
Jack H. Skirball |
Screenwriter
(based on a story by Gordon McDonnell):
Thornton
Wilder
Sally Benson
Alma Reville |
Review
Shadow
of a Doubt comes sneaking up on you, albeit not from behind.
Allegedly considered by Hitch as his best film, it has that element of
uncontrollable disturbance placed into the neatest and most orderly
surroundings. Early on, the Wright/Cotten relationship is amazingly
vibrant and suggestive, it makes the film more layered than it
ultimately acts upon. Unfortunately, the censors of the time would never
have allowed a film to go down that road, but the incestuous suggestions
are there for the viewer to interpret. Hitchcock discusses the presence
of a potential serial killer in the midst of prosperous, untroubled
small-town America, and his contrastive analysis is perceptive and
thought-provoking. The film is a powerful and nuanced character study
with impressive human insight, especially through the two Charlies. And
Joseph Cotten's character has a delicate duality to him that was quite
pioneering in Hollywood at the time. Ultimately, Shadow of a Doubt
isn't as seductive or absorbing as Hitchcock's very best films, but it
has room for some delicate humour as well, particularly through a
magnificent Hume Cronyn who easily steals this, his first film.
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