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Shutter Island (2010)
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Director:
Martin
Scorsese |
COUNTRY
USA |
GENRE
Thriller |
NORWEGIAN TITLE
Shutter Island |
RUNNING
TIME
137
minutes |
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Producer:
Martin
Scorsese
Bradley J. Fischer
Mike Medavoy
Arnold W. Messer |
Screenwriter (based on the novel by Dennis Lehane):
Laeta Kalogridis |
Review
Shutter Island is a complex and
scheming psychological thriller from Martin Scorsese, who directs with a
strong desire to create an atmosphere and a level of suspense of
Hitchcockesque proportions. The premise is promising and the film starts
off well, with DiCaprio and Ruffalo arriving at a hospital for
criminally insane on Shutter Island where they are to investigate the
disappearance of a patient. However, we don't need to wait for
suspicious events in order to know that everything is not right at this
institution, because Scorsese shouts it in every which way he can:
through the overdramatized musical score, quaint dialogue, and almost
exclusively ominous characters. This is fascinating, but also
discouraging, because you may find it all overdone, resulting in a
somewhat distanced viewing.
This is most definitely not Scorsese's
intention, he wants you to feel the paranoia and ambiguity. And for
periods of time, you will, often thanks to Leonardo DiCaprio's
industrious lead performance. He does his best to drive the story
forward, even when it stagnates and seems to repeat itself during the
middle part of the film. The rest of the cast does fairly well with what
limited material they have, although with such a quality ensemble, you'd
expect more.
Our protagonist, Teddy, really puts in
an effort, shedding blood, sweat and tears battling almost every other
character in the film, plus the plot, it seems, in order to earn a place
in that lighthouse for a conclusion. And although the conclusion is
justifiable from a strictly logical point of view, it doesn't spark the
emotional release it could have, probably because it's hard not to feel
a little cheated, both from our own point of view and from Teddy's.
Shutter Island tells the type of story which labours to confuse and
impress at the same time, a balance which is difficult to maintain
without insulting the viewer. Shutter Island manages this only
partially.
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