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Sixteen Candles (1984)
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Director:
John Hughes |
COUNTRY
USA |
GENRE
Comedy/Coming-of-Age |
NORWEGIAN TITLE
Å,
for en bursdag! |
RUNNING
TIME
93
minutes |
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Producer:
Hilton A. Green
Michelle Manning
Ned Tanen |
Screenwriter:
John Hughes |
Review
John Hughes' directorial debut is a
seemingly lightweight teen-comedy about unrequited infatuations,
high-schoolers fitting into stereotypical classifications and the
inevitable alienation you feel from your parents and family as
puberty hits in. Hughes treats a lot of his script as a clear-cut
comedy, directing several scenes almost as gags, and there are lots
of stereotypes among the supporting characters, whose revelling in
their socially constructed personas presents an interesting
observation by Hughes; this is one (valid) way to hide your
insecurities and real self, he claims. He would discuss this concept
in more detail in
The Breakfast Club a year later. Still, what elevates
Sixteen Candles to something real and timeless, is that out
of what may at first seem like archetypes emerges a couple of
three-dimensional human beings (Sam and Ted) with big, idiosyncratic
personalities, and with a budding notion of what life may bring
outside the confines of high school. Sixteen Candles remains
a fun watch today, and Hughes also had the nerve to throw
controversy into the mix with a segment involving the characters Ted
and Caroline which is perfectly ambiguous and dubious. People and
situations aren't always like they seem at first, says Hughes
sensibly. And a brilliantly sensitive Molly Ringwald and a confident
Anthony Michael Hall certainly helped him get that message across.
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