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Strange
Days (1995)
Director:
Katheryn
Bigelow
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COUNTRY
USA |
GENRE
Science Fiction/Crime/
Drama/Action/Thriller |
NORWEGIAN
TITLE
Strange Days |
RUNNING
TIME
142
minutes |
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Producer:
James Cameron
Steven-Charles Jaffe |
Screenwriter:
James Cameron
Jay Cocks
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Review
Back in 1995, some
might have felt that Kathryn Bigelow's Strange Days was a fresh,
pulsating prophecy on the big millennium shift in which the keywords
were paranoia, uncontrollable crime, deception and a general human
demise. I have always had a hard time appreciating doomnik films as
valuable art - especially if they have a feeble five year perspective
and warrants their scenario with unstriking conditions that we've
already dealt with for centuries, such as racial differences or
technological development. Strange Days uses simple gloom and
chaotic visuals (albeit quite impressive such) to create something we're
supposed to perceive as dangerous and imminent. James Cameron did this
so much better with his
Terminator films a few years earlier, and Bigelow is too
preoccupied with being hip to be able to bring much valuable into her
work. The film clings desperately to stereotypes and cliché to evoke
emotion - such as Michael Wincott's over-the-top bad-guy, or the already
well-discussed "sensory recordings", which had been more than
sufficiently explored in a handful of early 1980s films (Altered
States,
Brainstorm). Ralph Fiennes looks
great in the lead, and gives a technically well-developed performance,
but isn't at all at home in these shoes. His intellectual persona
doesn't belong in this milieu, and he knows it all too well.
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