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Striptease
(1996)
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Director:
Andrew Bergman |
COUNTRY
USA |
GENRE
Comedy/Drama |
NORWEGIAN TITLE
Striptease |
RUNNING
TIME
117 minutes |
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Producer:
Andrew Bergman
Mike Lobell |
Screenwriter
(based on the novel by Carl Hiaasen):
Andrew Bergman |
Review
Although Striptease is such a chaotic and mixed bag of moods
and genres that it's doubtful whether writer/director Andrew Bergman
really knew what he was doing, the end product is both fascinating
and eventful – outshining many of the more assembly-line works with
which it was (somewhat wrongly) compared at the time of release.
Because while the critics back in the day slaughtered Striptease
for being speculative or even exploitative in terms of nudity and
eroticism, seen today those same scenes come off as colourful and
evocative. This is not an erotic thriller by any stretch of the
imagination; it's a drama with a host of hilarious comedic
characters whom give the film a feeling of being not only totally
out of control, but almost out of touch with reality. Granted,
writer/director Andrew Bergman failed miserably in trying to balance
Carl Hiaasen's wit with the more dramatically potent elements of the
story during his adaptation, but while that makes the film partly
silly and partly ineffective, it doesn't mean that the humour and
richness is not retained or valuable in its own right. Robert Patrick and Burt Reynolds both give
marvellous over-the-top performances that were greatly misunderstood
back in 1996, and if the film doesn't quite live up to its dramatic
potential, the scenes between real-life mother and daughter Demi
Moore and Rumer Willis certainly do.
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