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Burt
Reynolds
FILMOGRAPHY
(ONLY REVIEWED ENTRIES)
BIO
For
me as a child in the early 1980s, few actors were bigger heroes than Burt
Reynolds. I could be fascinated by Clint Eastwood's coolness or
Christopher Reeve's god-like appearance, but the charm, humour, and
liveliness of Burt Reynolds were second to none. I first encountered Burt through
Hooper
(1978), and
was instantly captivated by his carefree presence. That was very much
the epitome of Burt's career from the mid-70s onwards, even though his
career declined in the late '80s. Before this, however, Burt had made
his real breakthrough – both commercially and critically – with John
Boorman's brilliant Deliverance
(1972). Soon
after, he was the biggest star of American cinema, going through
the rest of the decade without caring too much about developing himself
as an actor or worrying too much about which roles he chose. He was
basically around to have fun, and there is little doubt that he did.
He appeared in numerous films with his longtime girlfriend Sally Field (who
never wanted to marry him), but by the mid-1980s, his films were no longer as popular as
they once had been, and the critics were more unforgiving than ever.
After a series of failures, Burt delivered an accomplished
performance in Breaking
In (1989),
where he accepted that he was no longer the young leading man he
had been for nearly twenty years. The 1990s didn't begin well, but a
brilliant performance in Boogie
Nights earned him
his first Oscar nomination. Since then, Reynolds had a prolific end to
his career, even if his choice of roles again was questionable.
AWARDS
The Academy Awards (Oscars) |
1998 |
|
Nominated for Supporting Actor for
Boogie Nights |
The Golden Globes (film nominations) |
1975 |
|
Nominated for
Best Actor – Motion Picture Musical or Comedy –
The Longest Yard |
1980 |
|
Nominated for
Best Actor – Motion Picture Musical or Comedy –
Starting Over |
1998 |
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Best Supporting Actor for
Boogie Nights |
WHAT
DO THE CRITICS SAY?
Semi-Tough
"Reynolds' charm makes up for film's other deficiencies"
- Leonard Maltin
"(...) with that and Reynolds' polished good-ol'-boy Cary Grant performance, the movie is like a low-grade fever—you slip in and out of it painlessly"
- Pauline Kael
Switching Channels
"Burt Reynolds reins himself in and shows some sly grace as Sully"
- Pauline Kael
Breaking In
"Reynolds is extremely good in his first
character role" - Leonard Maltin
QUOTES
[talking about the stunt scenes he did for his thriller
Crazy Six
(1997)]:
"I told them, 'Look, I can do this. I can still fall; I just can't get up. But the character is dead, anyway!"
"I regret that I do not have the dignity of Ricardo Montalban, the class of Dean Martin, or the humor of Bill Cosby. I DO have the heart of a lion."
"All of the younger actors keep coming up to me and asking me where all of the land mines are because they know I've stepped on them all."
"If you hold on to things long enough, they get back into style...like me."
"my films were the kind they only show in prisons and in airplanes, because nobody can leave..."
[on Larry King Show, talking about the great parts he turned down]:
"There are no awards in Hollywood for being an idiot."
"I'm finally choosing a role for the right reason. It's not about the location--Jamaica? I'll take it--or the leading lady. It's about the words. I know I'll never be No. 1 again, but I'll be a working actor. And this time, I'll be a grownup. It's time. We have a saying in the South: 'No man's a man until his father tells him he is.' Well, mine never told me, and that was a problem. But my son did."
"I may not be the best actor in the world but I'm the
best Burt Reynolds in the world. And nobody does Burt Reynolds better
than I do."
CHARACTER
QUOTES
Semi-Tough
[When Shake says no to the girl at the altar]:
Shake (Kris Kristofferson): "I don't, Billy Clyde. I just
can't!"
Billy Clyde (Burt Reynolds): "I acknowledge that."
[While sitting on the toilet and somebody knocks on
the door]
Billy Clyde (Burt Reynolds): "Just shit and shove it under
the door!"
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