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White Lightning (1973)
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Followed by:
Gator (1976)
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Director:
Joseph Sargent |
COUNTRY
USA |
GENRE
Action/Comedy |
NORWEGIAN TITLE
Spikern i bånn, McKlusky |
RUNNING
TIME
101 minutes |
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Producer:
Arthur Gardner
Jules V. Levy |
Screenwriter:
William W.
Norton |
Review
The title refers to clear-coloured
moonshine, which Burt Reynolds and just about everyone else are
involved in making and running in this often enjoyable and
surprisingly interesting film. White Lightning is now often
referred to as Burt's first of many hick flicks: films set in the
rural South of the USA, often involving uneducated characters
and plenty of car chases.
Smokey and the Bandit, released
four years after this one, was the pinnacle of these films, and
there are several foreshadowings of things to come in White
Lightning, as Burt hones his famous screen persona. A screen
persona that during the 1970s and 1980s was about as bankable and
recognizable as Charlie Chaplin's The Tramp was during the 1920s and
1930s. These were personas which remained largely the same over
several films and characters, and it worked because they proved
to be so remarkably identifiable to most viewers – and because they had
unusually charismatic actors to bring them to life.
Still, White Lightning
cannot boast the same formal and stylistic confidence as
Smokey. Director Joseph Sargent alternates between stern realism
and simple car-chasing fun. And the same goes for Burt's character. One moment he seems deeply affected by the dire straits he's
in; the next he's just enjoying it all. There's depth to his
character here, and Burt shows he can handle a wider range of
emotions, but his troubles are too easily brushed aside, too easily
fixed by Sargent, who's always making sure the viewer only invests
small portions of emotion before getting some sort of release or
payoff. As such, the film turns out to be a kind of hybrid between
Deliverance
(particularly the opening scene) and Smokey and the Bandit,
without ever being able to match either.
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