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Syriana (2005)
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Director:
Stephen Gaghan |
COUNTRY
USA |
GENRE
Drama/Thriller/Political |
NORWEGIAN
TITLE
Syriana |
RUNNING
TIME
126
minutes |
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Producer:
Jennifer Fox
Georgia Kacandes
Michael Nozik |
Screenwriter (based on the book by Robert Bear):
Stephen Gaghan |
Review
Watching Syriana
reminded me of doomsday speeches. A good one at that, that is, because
based on Robert Baer's intricate novel, writer/director Stephen Gaghan
shows he's a clever, intriguing and knowledgeable writer. Indeed, the
film is cram-packed with interesting aspects on power struggles,
corruption, religion, clash of the cultures and generally the conflict
between the Middle East and the Western society. The object for these
discussions is oil, and Gaghan obviously makes a good point when he
highlights that with today's consumption, there won't be any more oil
left in the world in the not too unforeseeable future. This thesis is the
basis for most dilemmas and problems that most characters in Syriana
encounter. Characters occupied by a fine ensemble of actors, highlighted
by an atypical George Clooney, a Matt Damon hitting the right notes, and an
impressive Alexander Siddig.
The plot is
deliberately confusing and complex, and will take some time to figure
out. But that is actually not the problem. It isn't even necessary to
keep track of every little detail and every obscure character in order
for the film to be effective. Fair enough. And there are quite a few
interesting character relations and subplots involved as well. Even so,
Syriana is a thoroughly pessimistic and cynical film –
independent of the factual correctness of what's presented. There will
always be alternatives – even to oil. And there will always be solutions
– even to terrorism and the cultural clashes in the world. Perhaps it's
just my affiliation, but if art is going to be this negative, it should
be more personal.
The feel of this film
reminds me of the political paranoia-thrillers of the 1970s in where there
was no escape from the downward spiral, no matter what our protagonist
did, and in which the implicit idea was that the inevitable clash
between communism and democracy was going to end us all sooner or later
anyway. Watching those films today can be quite amusing, and I predict
Syriana might be an equal experience in 20 or 30 years time.
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