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Three Billboards Outside Ebbing,
Missouri
(2017)
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Director:
Martin McDonagh |
COUNTRY
USA/United
Kingdom |
GENRE
Black comedy |
NORWEGIAN TITLE
Three Billboards Outside Ebbing, Missouri |
RUNNING
TIME
115 minutes |
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Producer:
Graham Broadbent
Pete Czernin
Martin McDonagh |
Screenwriters:
Martin McDonagh |
Review
It's
already been a decade since Martin McDonagh established himself as
one of the most talented crime writers in the movie business with
the brilliant
In Bruges. After crossing the
Atlantic to make
Seven Psychopaths in 2012, he
now turns his attention to American small-town life for a scrutiny
of vindictiveness and small-town idiocy, all bathed in McDonagh's
recognizable black comedy. Frances McDormand plays a bereaved mother
who, frustrated by the lack of progress in the investigation of her
daughter's rape and murder, puts up three roadside billboards
outside of town in order to voice her dissatisfaction. This is the
starting point for the erratic and at times ill-focused but never
boring story McDonagh has concocted here, filled with all sorts of
characters bumping into each other in every thinkable way – and
almost always with animosity as a result. McDonagh wants his film to
work on both a dramatic and a comedic level, constantly spiced up by
his social criticism of uneducated small-town America, and he almost
gets that balance right. At its best, Three Billboards Outside
Ebbing, Missouri is refreshingly sharp and creative. At its
worst it feels like something Quentin Tarantino could have made
during the peak of his revenge-fantasy phase. Sam Rockwell gives the
best of many hilarious performances, most of which ridicule some
very base human characteristics that we all can find ourselves in
touch with from time to time.
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