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Titanic (1997)
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Director:
James
Cameron |
COUNTRY
USA |
Genre
Drama/Romance |
NORWEGIAN TITLE
Titanic |
RUNNING
TIME
198
minutes |
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Producer:
James Cameron
Jon Landau |
Screenwriter:
James Cameron |
Review
It seemed only reasonable that when James
Cameron – at the height of his success – was to make a film about Titanic, a
ship borne by megalomania, his approach would be similarly megalomaniac.
Overwhelming and innovative special effects, an unscrupulous running time, and a
classic, over-sized romance with all the mushiest ingredients: poor vs. rich,
working class vs. aristocracy, old vs. new world-order, love's conquest of
superficial values such as status, appearance and etiquette. And as the HMS
Titanic disappears into the Atlantic void, it pulls all those old-fashioned,
old-worldly values down with it. And what survives, in the wake of the romantic
tragedy, is youthfulness, hope and equality – personified by Rose, a formative
representative of America and the new social order.
As always with Cameron's films, there is
self-indulgence and badly hidden patriotism lurking underneath the
surface. And the ridiculous in-your-face attitude of his scientists and
the contemporary Rose is something we'll always have to bear over with
when it comes to Cameron films. But in the case of Titanic, these
must be considered insignificant details, nothing but wrapping for his
wonderfully atmospheric, extremely detailed presentation of the ship
itself and its one and only cross-atlantic journey. It is in the
portrayal of the famous tragedy that Cameron's talent as a storyteller
and filmmaker comes into its own, and coupled with the remarkable
technical achievement of the film – a department in which Cameron was in
a league of his own in the 1990s – this elevates Titanic to one
of the most imposing films of the period, easily overshadowing the
somewhat melodramatic nature of the romance and the simplistic dichotomy
of good and bad. Rarely has an historical event been filmed in such a
devoted and realistic way, and although Titanic isn't the most
creative or artistic entry in James Cameron's impressive catalogue, it
might still well be remembered as his magnum opus.
Re-review: Copyright © 25.9.2010
Fredrik Gunerius Fevang
Original review: Copyright © 26.2.1998
Fredrik Gunerius Fevang
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