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The Trial of the Chicago
7 (2020)
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Director:
Aaron Sorkin |
COUNTRY
USA |
Genre
History/Drama |
NORWEGIAN
TITLE
The
Trial of the Chicago 7 |
RUNNING
TIME
130
minutes |
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Producer:
Stuart M. Besser
Matt Jackson
Marc Platt
Tyler Thompson |
Screenwriter:
Aaron Sorkin |
Review
Aaron Sorkin sure knows how to
build drama from the courtroom, with colourful, righteous
protagonists being prosecuted by and eventually sticking it to
outdated, morally corrupt people of power. He did it effectively in
A
Few Good Men almost thirty years ago, and he does it again with The Trial of the Chicago 7,
a Paramount produced and Netflix distributed historical drama about the
demonstrations and ensuing riots in connection with the 1968 Democratic
National Convention in Chicago. The concept of more or less stoned
hippie comedians appearing in court with an old-timer judge born in the
1800s positively screams for Sorkin's pen. And Sorkin also manages to
keep his direction firmly reined in here, which is no easy feat with as
many defendants, attorneys and co-characters as this story encapsulates.
Admittedly, he highlights the flashy ones and sometimes overemphazises
the more hammy portions of his story, but it's effective storytelling
nonetheless – and with its heart in the right place, mind you. The film
is a valid reminder that we sometimes just gotta stick it to the man.
There are many fine performances from an ensemble of talents, notably
Sacha Baron Cohen, Yahya Abdul-Mateen and Frank Langella in some of the
most prominent parts. But the very best performance here belongs to
unsung hero Mark Rylance, who makes defence counsel William Kunstler the
most human of all these characters.
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