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The Truman Show (1998)
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Director:
Peter Weir |
COUNTRY
USA |
GENRE
Drama/Comedy |
NORWEGIAN TITLE
The
Truman Show |
RUNNING
TIME
103 minutes |
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Producer:
Scott Rudin
Andrew Niccol
Edward S. Feldman
Adam Schroeder |
Screenwriter:
Andrew Niccol |
Review
Can
ingenious satire be intrinsically infantile and naive? Yes is the
answer after having watched The Truman Show. Who haven't had
a sinking feeling that the entire world was plotted against you,
that everybody seem to know something that you don't? In the case of
Truman Burbank, that feeling ultimately proves to be the truth. His
entire life has been a 24/7 reality television show, all his friends
and family members merely actors scripted to do whatever the show's
creator, Christof, decides for them. It's a life lived on false
premises, but in which everything is taken care of.
Truman's life is a lie, but perhaps that goes for all our lives?
That is one of the many moral dilemmas The Truman Show
implicitly raises. Another is the concept of voyeurism, and our
inclination for it. And although those responsible for Truman's
life, meaning virtually everyone, both those who set it up and the
public who condone it by watching the show, aren't exactly vilified
by the filmmakers, our sympathy is with Truman and his quest for
freedom, meaning to break free from the confines of his controlled
life. It's hard to watch The Truman Show without pondering
our own highly controlled modern lives. As such, the film is just as
much social satire as media satire, depending on whether you view
media's role in the film as instrumental or metaphorical. Either
way, this is a film with enough levels for more than one viewing and
for a timeless artistic value. It is also notable for being Jim
Carrey's breakout role as a serious dramatic actor, even if he also
here proved himself more apt in the more lighthearted segments than
the deeper and more pondering ones.
Peter
Weir directed with a solid sleight of hand from Andrew Niccol's
script. There's also fine supporting work from two of the best new
character actors from the late 1990s, Noah Emmerich and Paul
Giamatti.
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