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Ulvenatten (2008)
Director:
Kjell Sundvall |
COUNTRY
Norway |
GENRE
Crime/Action/Drama |
INTERNATIONAL
TITLE
Night
of the Wolf |
RUNNING
TIME
90
minutes |
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Producer:
Kaare Storemyr
Aage Aaberge |
Screenwriter (based on his own novel):
Tom Egeland |
Review
This tight,
suspenseful thriller is another example of how the Norwegian film
industry profits from the strong tradition of crime fiction which has
developed in the country. Tom Egeland adapts his own novel, and Kjell
Sundvall's direction is concise, unbiased and effective as he combines
traditional omniscient narration with fast-paced newscast type coverage.
Technically, Ulvenatten draws inspiration from classics such as
The China Syndrome,
whereas when it comes to the political thematics, the film is in the
tradition of
Orions belte, one of the best Norwegian action films of
all time.
One of the most
delightful aspects of this film is the subtlety of the thematic
conflict. The terrorists seem one-dimensional and unnuanced at first, but
we get the feeling that there is more to them than what meets the eye.
Dejan Cucic's acting is good in this respect; he's brutish but
enigmatic. If there is a weakness in the film's early parts, it is that
Sundvall is guilty of not quite keeping the pace up once the premise
inside the television studio has been set. The narrative lags a little,
and the indistinct presences of Christian Skolmen and Anneke von der
Lippe create some unengaging periods. Still, the well-presented tactics
gives the film a nerve which is enhanced into great suspense in the
film's final act. The representation of the Norwegian police as
indecisive but considerate is spot on - and actually quite refreshing
for viewers who are used to Charles Bronson/Clint Eastwood type cops.
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