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Ulvenatten (2008)
    
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Directed
by:
Kjell Sundvall |
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COUNTRY
Norway |
GENRE
Crime/Action/Drama |
INTERNATIONAL
TITLE
Night
of the Wolf |
RUNNING
TIME
90
minutes |
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Produced
by:
Kaare Storemyr
Aage Aaberge |
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Written by
(based on his own novel):
Tom Egeland |
Review
This tight,
suspenseful thriller is another example of how the Norwegian film
industry currently profits from the strong crime fiction tradition that has
developed in the country. Tom Egeland adapts his own novel, and Kjell
Sundvall's direction is concise, unbiased and effective, as he combines
traditional omniscient narration with fast-paced newscast-type coverage.
Technically, Ulvenatten draws inspiration from classics such as
The China Syndrome,
while in its political themes, the film is in the
tradition of
Orions belte, one of the best Norwegian action films of
all time.
One of the most
delightful aspects of Ulvenatten is the subtlety in the thematic
conflict. The terrorists seem one-dimensional and unnuanced at first, but
we get the feeling that there is more to them than what meets the eye.
Dejan Cucic's performance is good in this respect; he's brutish but
enigmatic. If there is a weakness in the film's early part, it is that
Sundvall isn't quite able to keep the pace up once the premise
inside the television studio has been set. The narrative lags a little,
and the indistinct presences of Christian Skolmen and Anneke von der
Lippe create some unengaging periods. Still, the well-presented tactics
create a nerve that is elevated into great suspense in the
film's final act. The portrayal of the Norwegian police as
indecisive but considerate is spot on – and perhaps even somewhat refreshing
for viewers who are used to Charles Bronson/Clint Eastwood-type cop
figures.
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