Die Welle (2008)

	Directed by: Dennis Gansel	ENGLISH TITLE The Wave COUNTRY Germany GENRE Drama/Thriller NORWEGIAN TITLE Gran Torino RUNNING TIME 101 minutes
	Produced by: Nina Maag
	Written by (based on the novel by Todd Strasser): Dennis Gansel Peter Thorwart

Cast includes:
CHARACTER	ACTOR/ACTRESS	RATING
Rainer Wenger	Jürgen Vogel	½
Tim Stoltefuss	Frederick Lau	½
Marco	Max Riemelt
Karo	Jennifer Ulrich
Anke Wenger	Christiane Paul
Dennis	Jacob Matschenz
Lisa	Cristina do Rego
Sinan	Elyas M'Barek

Review

Dennis Gansel recruits the renowned actors Jürgen Vogel (Der Freie Wille) and Max Riemelt (who had the lead in Gansel's previous film NaPolA) for his rendition of The Third Wave – an educational experiment conducted by history teacher Ron Jones in Palo Alto, California in 1967. Jones' intention was to show the force and allure of the Nazi movement to his disbelieving students, arguing that they could be as easily influenced and led as the people of Nazi Germany were. The project was made into a much-discussed film already in 1981, starring Bruce Davison as the professor.

Although the idea behind The Third Wave / The Wave / Die Welle remains interesting also in our times, and although Gansel brings the setting back to the country where the Nazis first conducted this "experiment", it is hard not to take what Gansel tries to communicate here with a solid pinch of salt. Bearing in mind that even the validity of the alleged results of Ron Jones' experiment is widely discussed (by many even dismissed), it will take some extra rationalization on Gansel's behalf in order to justify the lengths to which he suggests a high-school teacher is able to influence a large group of essentially adult and seemingly independent students of 2008 during one single week. From my point of view, this rationalization isn't given to a satisfactory extent, and without dismissing the power of mass-suggestion in general, Die Welle functions more as scare tactics against unity and organization than it works as a valuable historical reminder. Most viewers, especially those of the age group in question, will probably also feel rather offended by the lack of confidence the film has in them.

The acting is generally useful, with Vogel and Frederick Lau providing lots of potency in performances that could have been even more effective had their actions been more justified. Gansel's mistake here is to disregard the fact that youths of today are more informed and educated than they have ever been. Despite continuing to scratch fascinating surfaces, Die Welle represents a step back for this talented filmmaker.