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White
Noise (2022)
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Directed
by:
Noah Baumbach |
COUNTRY
USA/UK |
GENRE
Comedy/Drama |
NORWEGIAN TITLE
White Noise |
RUNNING
TIME
136 minutes |
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Produced
by:
Noah Baumbach
David Heyman
Uri Singer |
Written by
(based on the novel by Don DeLillo):
Noah Baumbach |
Review
It had been said that Don DeLillo's
novel was "unfilmable", and Noah Baumbach largely demonstrates why
in this misfire adaptation. Adam Driver and Greta Gerwig play an
intellectual couple with a pathological fear of death. They are
caught up with the zeitgeist of the early 1980s, swayed by
consumerism, transcendental spirituality, and a postmodern
worldview. They are experts at keeping everything at a distance,
from raising their children to analyzing Hitler, but there is a flaw
with this mindset: it cannot be applied to their own deaths.
The
world Baumbach creates here is a glossed one, meant to instil a
combination of nostalgia and futurism, while he vigorously tries to
convey the quirkiness of the story. But he does it so meticulously
and vehemently that it all becomes forced and inane. All the
characters talk with the same choreographed cadence, which drains
any spontaneity from the discourse. And the many remarkable
situations they end up in never feel dynamic, but rather disjointed
and oddly staged. There's also supposed to be quite a bit of comedy
in the movie – suggested by the many wild exaggerations and deadpan
comments – but there's little craftsmanship or sense of timing
involved. A big disappointment from Baumbach after his brilliant
Marriage
Story a couple of years back.
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