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The Witch
(2015)
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Directed
by:
Robert Eggers |
COUNTRY
USA/Canada |
GENRE
Folk horror |
NORWEGIAN TITLE
The
Witch |
RUNNING
TIME
92 minutes |
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Produced
by:
Jay Van Hoy
Lars Knudsen
Jodi Redmond
Daniel Bekerman
Rodrigo Teixeira |
Written by:
Robert Eggers |
Review
Robert Eggers’ directorial debut is a
simmering folk horror tale aptly titled The Witch. With its
linguistic and scenographic accuracy, the movie transports you
passionately back to 1630s New England and into a family of early
settlers, whose everyday life is harsh and pious to the extreme.
When their newborn son suddenly disappears in broad daylight, the
oldest daughter Thomasin (Anya Taylor-Joy) watches her family
members slowly disintegrate into grief, guilt, devoutness and
distrustfulness. The film bases its existence on how people in this
time and place had nowhere to turn to for answers except inwards or
to religion. Their inability to understand their own and each
others’ situation and emotional life is the implicit horror here,
even if the film's ensuing delve into some very prevailing
superstitions from the era is the explicit theme for Eggers’ foray
into the horror genre. Perhaps it was a little misleading to market
the film as a more standard horror flick, even if it certainly
helped the sales. Because this is a slow-burning tale which cares
less about genre-expectations than about settler era ghost stories
and the circumstances that made them necessary or at least relevant
at the time. If The Witch ultimately is missing something,
it’s the ability to link the characters’ perception of fear to our
own. But Eggers certainly demonstrated the talent that would lead
him to create the even more intense
The
Lighthouse a few years later.
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