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All
the King's Men (2006)
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Director:
Steven Zailian |
COUNTRY
Germany/USA |
GENRE
Drama/Political |
NORWEGIAN
TITLE
All
the King's Men |
RUNNING
TIME
128
minutes |
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Producer:
Ken Lemberger
Mike Medavoy
Arnold W. Messer
Steven Zailian |
Screenwriter (based on the novel by Robert Penn Warren):
Steven Zailian |
Review
Steven Zailian said
that he didn't know what hit him when All the King's Men was
released to generally negative reception (box-office and critics alike)
in the fall of 2006. He seemed to have done everything right: he had
pure and idealistic intentions, a strong material and the best cast you
can hope for. Remaking an Academy Award winner should make for at least
a decent success. Unfortunately, very few things clicked with this film.
Zailian wanted to
front the political and social resonance of the book, but it all seems
pompous and trite in this slow-digested hash. There are voiceovers, flash
forwards, flashbacks, and an endlessness of tentatively resounding
dialogue of proportions that doesn't match the framework which Zailian is able
to create or which the performers are able to justify. As a result, All the
King's Men slowly grows as overblown as Sean Penn's clownish
performance. He headlines what must be the most thoroughly disappointing
ensemble of acting for quite some time - at least if you take their
amount of career silverware into account. Only Anthony Hopkins, who gives life
to the only really good scene in the movie's second half, can be able to
watch himself without cringing.
Much like Brian De
Palma was with
The Black Dahlia, Steven Zailian
seems to have been infected with the idea that since the action
presented takes place in the 1940s, he needs to make his film boldly
noirish. When you haven't got the material for it, few things look more
ridiculous - such as when Jude Law stands in silhouette on the corner
watching Kate Winslet entering her apartment. 'Ooooh, she's coming home'
- says poor Law's assumed face. We get the point, but there is little
effect.
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