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The
Black Dahlia (2006)
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Director:
Brian
De Palma |
COUNTRY
Germany/USA |
GENRE
Crime/Mystery/
Thriller/Noir |
NORWEGIAN
TITLE
The Black
Dahlia |
RUNNING
TIME
121
minutes |
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Producer:
Rudy Cohen
Moshe Diamant
Art Linson |
Screenwriter
(based on the novel by James Ellroy):
Josh Friedman |
Review
Although
he has returned to the noir genre and/or the early to mid 19th century
again and again throughout his career, I have always found Brian De
Palma at his most proficient when he's set his sight on other things.
There's no doubt that De Palma is a gifted director, and he has
versatility, but he also has a knack of getting stuck in unsubtle
screenplays, like this one from Josh Friedman (whose lacklustre resume
includes only The
War of the Worlds prior to this). The aspiration of The
Black Dahlia is painfully obvious from the word go, but through De
Palma's sense of visuals it stays interesting and slightly seductive for
an hour or so. The real problems arise only when the script tries to get
smart and De Palma can no longer control it. Like other stories by James
Ellroy, it gets pretentious, and like many other neo-noir films it gets
messy and insignificant. It doesn't help much that the acting is
completely forgettable, with Hartnett trying desperately to surpass his
range and Swank putting in another exhibit why her two Academy Awards
will remain a mystery more interesting than The Black Dahlia for
generations to come.
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