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The
Black Dahlia (2006)
    
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Directed
by:
Brian
De Palma |
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COUNTRY
Germany/USA |
GENRE
Crime/Mystery/
Thriller/Noir |
NORWEGIAN
TITLE
The Black
Dahlia |
RUNNING
TIME
121
minutes |
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Produced
by:
Rudy Cohen
Moshe Diamant
Art Linson |
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Written by
(based on the novel by James Ellroy):
Josh Friedman |
Review
Although he has returned to the noir genre and the early-to-mid 20th century
time and again throughout his career, Brian De
Palma has arguably been more proficient when he has set his sights on other things. De Palma is a gifted director, and he
has versatility, but he also has had a few misfires dealing with unsubtle
screenplays, like this one from Josh Friedman (whose lacklustre résumé
includes only The
War of the Worlds prior to this). The aspiration of The
Black Dahlia is painfully obvious from the word go, and thanks to De
Palma's visual sense it remains interesting and slightly seductive for
an hour or so. The real problems arise only when the script tries to
become clever and De Palma can no longer control it. Like in other stories by James
Ellroy, there's a whiff of pretension, and like many other neo-noirs,
the story becomes cluttered and insignificant. It doesn't help much that the
performances are completely forgettable, with Josh Hartnett trying desperately to surpass his
range, and Hilary Swank delivering another exhibit as to why her two Academy Awards
will remain a mystery deeper than the one in The Black Dahlia for
generations to come.
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