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War
of the Worlds (2005)
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Director:
Steven
Spielberg |
COUNTRY
USA |
GENRE
Science
Fiction |
NORWEGIAN
TITLE
War of the
Worlds |
RUNNING
TIME
116
minutes |
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Producer:
Kathleen
Kennedy
Colin Wilson |
Screenwriter
(based on the novel by H. G. Wells):
Josh Friedman
David Koepp |
Review
Early on in War of the Worlds,
when we're getting to know the not too harmonic family of the lead
actors Cruise/Fanning/Chatwin, Steven Spielberg shows his immaculate
talent for portraying human drama and undercurrents of suspense. Tom
Cruise is at his absolute best as a superb build-up makes War of the
Worlds reminiscent of Spielberg's sci/fi masterpiece Close
Encounters of the Third Kind. The unchanneled paranoia,
the underlying warmth in the characters' frustration, the dark yet
remarkably inspirational crisis that lies ahead. Unfortunately, an hour
or so later, there's nothing left to remind us of the aforementioned Close
Encounters. All that is left is a substandard disaster movie which is
poorly directed, curiously focused and visually uncreative.
The film looks exceptionally good early
on, with masterful special effects, but it all dries up towards the end
as detail is substituted by blurry, oversized sets. War of the Worlds
is an altogether depressing film with few ups and constantly new downs,
but that hadn't necessarily become a problem had Spielberg kept us more
interested and engaged. The director said he wanted to focus on people rather
than on the scale of the disaster, which is wise enough, but
this film isolates its protagonists from everything else. Spielberg
has lost control by the time Tim Robbins is introduced. The
scenes including him are overlong, barren and not at all credible. From
trying to be a document of human psychology in extreme situations (a bit
earlier, there's a brilliant scene where a mass of people wants to
acquire Cruise's car), War of the Worlds becomes a banal,
unremarkably space invasion movie that is more comparable with 1950s
B-movies than with what Spielberg back in 1977 showed us what science
fiction actually can be.
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