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Annie
Hall (1977)
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Director:
Woody
Allen |
COUNTRY
USA |
GENRE
Comedy/Drama |
NORWEGIAN
TITLE
Annie Hall |
RUNNING
TIME
93
minutes |
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Producer:
Charles H. Joffe
Jack Rollins
|
Screenwriter:
Woody
Allen
Marshall Brickman |
Review
Annie
Hall is Woody Allen at perhaps his most technically creative, as he
embarks on a vivid quest of past and present in the life of the romantic
Brooklyn intellectual Alvy Singer. And
that borderline distinction between real-life renditions and
fictitious
fabrications in this more or less autobiographical film makes it a
highly interesting affair from more than one perspective. The bittersweet
tone of Allen's has rarely been more delicately balanced than it is
here, as Alvy Singer goes through life making decisions that he cannot
account for while constantly chasing moments that he's never able to enjoy
once he has them.
The neurotic, talkative nature is youthful and fresh,
and only rarely in Annie Hall does Allen catch himself delivering
lines that seem like preceding repetitions to his increasingly more
established and predictable persona. That is to say, even though the
Woody Allen character (never mind the character names) by 1977 not yet had
become a guy you would recognise like you would your next door
neighbour, his distinct and concentrated appearance could threaten to
overimpose himself on the viewer even at this point. However, when the
script is crisp, and the direction as visionary as it is for most parts
of Annie Hall, Allen is more relevant than ever. Bear in mind
that in the 1970s, Allen was at home as a role model for young to
middle-aged urban intellectual men. His edgy, sarcastic worldview
belongs here - he is in demand, disarming every which way of life (including his own) lashing out at the conceited and the ignorant, the hip
and the old-fashioned.
And rarely has the humour been more well-placed
and entitled than in Annie Hall, even if Alvy Singer's life and
experiences, for all his witty lines and observations, gives him no
further insight and takes him nowhere except further into the debacle.
It's an amusing and funny (sometimes hilarious) comedy by and about a
self-centered man who knows himself all too well to ask the audience for
advice or comments.
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