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Another
48 Hrs. (1990)     
Preceeded by:
48 Hrs. (1982)
|
Director:
Walter Hill |
COUNTRY
USA |
GENRE
Action/Comedy |
NORWEGIAN
TITLE
Nye 48 timer |
RUNNING
TIME
95
minutes |
|
Producer:
Lawrence Gordon
Robert D. Wachs |
Screenwriter:
John Fasano
Jeb Stuart
Larry Gross |
Review
The
breath of fresh air that accompanied
48 Hrs. in 1982 has
completely abandoned this sequel. Although I like the idea of sequels
appearing several years after their original, it makes little sense to
find the main characters at exactly the same place in life eight years
later. Like with Rocky
II, we find that our Reggie Hammond and Jack
Cates are being "plotted up" to fit into a similar situation
as we originally found them in eight years earlier. That's a fairly
transparent and unnoble commercial motive.
Still,
the biggest problem with Another 48 Hrs. is its inevitable rooting
in that lame, stereotypical action-flick formula of the 1980s. When these
films worked, it was not because of their subtleness, but because of
their carefree, inspiring and high-spirited nature. It was about
freshness, clever in-your-face dialogue and passionate up-and-coming
performers. In the early 80s, Eddie Murphy was the epitome of this, but
in 1990, he and a caricatured Nick Nolte (why can't he at least speak
like a human?) are on repeat, dealing with
painfully one-dimensional villains and clinging on to a film style
and subgenre that was well into its decline.
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