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48 Hrs. (1982) Succeeded by: Another 48 Hrs. (1990)
The first part of this semi-classic action yarn from 1982 is a contrivance of characterological conflicts and archaic set-pieces meant to lay the foundation for an ostensibly modern interracial partnership between hard-nosed cop Nick Nolte and smooth-talking convict Eddie Murphy. Nolte overdoes his tough-guy persona and is initially outplayed and outshone by Murphy and his own hair, respectively, but the film slowly finds its footing and attains the effect director Walter Hill intended. Murphy's slick, smiling Reggie Hammond is almost as irresistible as his Axel Foley was two years later. He is a natural in front of the camera and saves numerous otherwise awkward scenes. The crime plot which our two buddies find themselves in the middle of is so-so, but Hill manages to give it some kind of Dirty Harry / French Connection-esque edge.
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