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The
Aviator (2004)
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Director:
Martin
Scorsese |
COUNTRY
USA/Japan/Germany |
GENRE
Drama/Biography |
NORWEGIAN
TITLE
The Aviator |
RUNNING
TIME
170
minutes |
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Producer:
Sandy
Climan
Charles Evans Jr.
Graham King
Michael Mann |
Screenwriter:
John Logan |
Review
Martin Scorsese's Howard Hughes-biopic
is massive, spectacular and vivid. It puts new focus on one of the 20th
century's most extravagant and colourful figures in not only filmmaking
and aviation but in the entire celebrity-scene. It is in many ways a
thankful task to portray someone as multitalented and eccentric as
Hughes, but it also makes for a demanding process being able to keep the
focus right. Scorsese's direction is tight and trusty, albeit ultimately a
bit too ambitious. At times the film loses its momentum and at times it
forsakes important aspects, but The Aviator still manages to
remain highly interesting and potent throughout.
Casting Leonardo DiCaprio in the lead is
somewhat of a gamble. He doesn't look the part, isn't a likely match for
neither Cate Blanchett nor Katherine Hepburn and doesn't age
convincingly. Still, DiCaprio's performance is a powerhouse. He has
surprisingly few problems carrying the film on his shoulders and yet
again displays his undeniable talent. In some of the darker scenes in
the film (notably Hughes' period of isolation in the screening-room),
DiCaprio has moments where he overplays, but then again these scenes
aren't particularly well directed or edited either, so Scorsese will
have to share the burden with him. The film has other flaws too,
particularly the not very convincing romantic segments which suffer from
miscasting or lack of screentime. Blanchett is good (maybe a bit too good)
as Hepburn, but Kate Beckinsale is a failure as Ava Gardner, and the
Faith Domergue character is unestablished and unnecessary. The rest of
the supporting cast is fine however, with special notice to a
delightfully sleazy (and surprisingly vivacious) Alan Alda, a nuanced
Alec Baldwin and a totally amusing Ian Holm.
All in all, The Aviator is a
compelling and fascinating movie. Scorsese's best work with the film is
the way he captures life in the golden age of Hollywood both in tone and
visuals. He has an interesting approach to the film's colouring; letting his
images reflect the film-standards of the periods he depicts. It makes
for a joyful ride and particularly so for people interested in the
history of film. The Aviator presents one of the most colourful and important
personalities from the previous century, and it does so with respect and
accuracy. Had it also been a bit better focused, it could have ranked
among Scorsese's best.
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