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The Bounty (1984)
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Directed by:
Roger
Donaldson |
COUNTRY
USA |
Genre
Historical drama |
NorWEGIAN TITLE
Mytteriet
på Bounty |
RUNNING TIME
130
minutes |
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Produced by:
Bernard
Williams |
Written
by:
Robert Bolt |
Based on the novel "Captain Bligh and Mr. Christian" by:
Richard Hough |
Review
This fourth movie adaptation of
history's most renowned mutiny is told mainly from the perspective of Captain
Bligh, when he is being court-martialed in Portsmouth after having returned
home. The filmmakers' idea is to paint a more balance picture of the power
struggle between our protagonists Bligh and Fletcher Christian, in contrast to
the traditional dichotomous portrait of Bligh as the villain and Christian as the
hero (such as in Frank Lloyd's 1935 version and Lewis Milestone's
1962 adaptation). Vangelis'
synthesizers and Dino De Laurentiis' lavish production effectively transports
you simultaneously back to 1984 and the 18th century, and Australian director
Roger Donaldson, who took over from David Lean at some point during a long-winded
development phase, has good command over the seafarer action and the many
characters involved here. He creates a solid foundation for Anthony Hopkins to
exercise his powerful, nuanced performance as Lt. William Bligh. A performance
which propels The Bounty forward and elevates Mel Gibson's sometimes wild eyed
acting. There is, however, a wonderful sensuality to Gibson's interplay with Tevaite Vernette as his Tahitian girlfriend Mauatua. And when the stiffish
Britons are invited into a world of unrestrained carnality, the film
convincingly taps into the essence of what arguably instigated the mutiny
itself.
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