|
|
The Discovery (2017)
|
Director:
Charlie
McDowell |
COUNTRY
USA/UK |
GENRE
Sci-Fi/Romance |
NORWEGIAN TITLE
The
Discovery |
RUNNING
TIME
102 minutes |
|
Producer:
Alex Orlovsky
James D. Stern |
Screenwriter:
Justin Lader
Charlie McDowell |
Review
This
film opens with an inventive and thought-provoking premise with
potential for deep existential discussions and powerful drama:
Scientist Robert Redford claims to have found neurological evidence
for an afterlife, something which sparks a suicide epidemic across
the world. And although writer/director Charlie McDowell manages to
keep both these potentials smouldering throughout the film, he
admits about halfway through that he really doesn't have that much
new to say or propose, instead resorting to a mushy romance which
Rooney Mara and Jason Segel never are close to give the necessary
weight or chemistry. Besides, their dull characters don't deserve
film happiness. It's Robert Redford's and Jesse Plemons'
characters who are the most interesting here (the latter building
effectively on Philip Seymour Hoffman's precious legacy), but their
screen-time are pushed aside to make room for said romance.
|
|