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The Florida Project (2017)
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Director:
Sean Baker |
COUNTRY
USA |
GENRE
Drama |
NORWEGIAN TITLE
The
Florida Project |
RUNNING
TIME
111 minutes |
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Producer:
Sean Baker
Chris Bergoch
Kevin Chinoy
Andrew Duncan
Alex Saks
Francesca Silvestri
Shih-Ching Tsou |
Screenwriters:
Sean Baker
Chris Bergoch |
Review
In
Sean Baker's bleak, but warm social realism The Florida Project,
Willem Dafoe plays a good-natured motel manager who in fatherly
fashion looks after the numerous more or less struggling residents of a
low-cost motel not far from Disney World in Florida. They live
mostly from hand-to-mouth, taking odd jobs and trying to earn enough
to pay the rent and provide for their children, who in turn form a
close bond as they roam around the premises and enjoy their summer
holidays. Running after them is Baker with his camera, and he must
have given these young kids plenty of leeway to play and socialize,
because the authenticity he is able to capture is remarkable – and
perhaps the film's best asset. After a first half which feels a
little bit like a low-key, white-trash version of Grand Hotel,
Baker's focus of attention settles on the abrasive, foul-mouthed
petty criminal Hallee and her enterprising, impertinent 6-year-old
daughter Moonee. In the latter role, young Brooklynn Prince is a
real find, and Baker gets an amazing performance out of her, without
it ever feeling forced, and very rarely contrived. Through his study
of Halley and Moonee, Baker not only creates glimpses of brilliant,
emotionally turbulent drama, but also raises all kinds of questions
about social structures, economic inequality and welfare systems.
Baker makes no conclusions, however, instead leaving us to take our
pick and make our own evaluations. That final scene, with its
complete shift in tone and tempo, is reminiscent of the ending of
Richard Donner's Radio Flyer, another film with fantastic
performances by talented child-performers.
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