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L. A. Confidential
(1997)     
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Director:
Curtis
Hanson |
COUNTRY
USA |
GENRE
Crime |
NORWEGIAN TITLE
L. A.
Confidential |
RUNNING
TIME
138 minutes |
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Producer:
Arnon
Milchan
Curtis Hanson
Michael Nathanson |
Screenwriter (based on the book by James Ellroy):
Brian
Helgeland
Curtis Hanson |
Review
It was a classic noir Curtis Hanson
directed and was universally hailed for with this film in 1997. And
although the story doesn't have anything remarkable about it – it's a
classic crime story by all accounts – the film arguably arrived at the
right time and hit a nerve with both audiences and critics. The story,
by Brian Helgeland from a novel by James Ellroy, captures the zeitgeist
of 1950s Los Angeles, which had one foot in vigilante justice and
corruption and the other in a more modern procedural legal system. The
film's greatest asset is the beautiful rendition of a bygone time and
the characters who epitomized it: the sly, but ultimately honest Jack
Vincennes, the straightforward brute Bud White, the progressive and
modern Edmund Exley, and – not least – Kim Basinger's Lynn Bracken, who
in many ways is caught in the crossfire of it all. L.A. Confidential
is a well-scripted, well-camouflaged whodunnit in which every
piece ultimately falls perfectly into its historically correct place.
Re-reviewed:
Copyright © 06.11.2019 Fredrik Gunerius Fevang
Original review: Copyright © 26.10.1997 Fredrik Gunerius Fevang
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